Every 'Jurassic Park' movie, ranked from worst to best

With dinosaurs and humans now living together following the events of "Jurassic World: Fallen Kingdom," the climax to the "World" trilogy brings back the cast from the previous "Jurassic" movies to set everything straight.

Despite the fun nostalgia that Sam Neill, Laura Dern, and Jeff Goldblum bring to the story, the movie itself is a mindless journey from one action sequence to the next. And don't even get us started on the giant locust subplot.

The "Jurassic Park" franchise is essentially about humans not being able to let go of the past, and the horrifying consequences of what happens when that gets out of control. Let's call it weaponized nostalgia.

In "Jurassic World," that concept gets very meta, but not in a cool, self-aware kind of way: 22 years after the events of the first movie, humans have created a dino theme park. Both Jurassic World the park and "Jurassic World" the movie are cash-grabbing, nostalgia-exploiting efforts that made millions of dollars off of humanity's failure to not learn from our past.

Chris Pratt's half-commitment to an accent is more genuine than this movie, but we'll admit we were entertained throughout.

"Jurassic Park III," directed by "Captain America: The First Avenger" director Joe Johnston, has some memorable, redeeming qualities. The Spinosaurus is a menacing alternative to the overused T. rex and the entire "bird cage" sequence is actually riveting.

But it can never escape the fact that it probably shouldn't exist in the first place: Sam Neill's Alan Grant is coerced into returning to a dinosaur island and, shockingly, nothing goes according to plan.

The ending is rushed — as if everyone involved in this movie wanted to escape it faster than the characters wanted to get off the island — and the disappointing, terribly CGI'd Spinosaurus vs. T. rex fight was not worth the Rock 'em Sock 'em-style toy we owned growing up.

Also, there was a missed opportunity to explore what PTSD could look like for someone who almost got eaten by dinosaurs, but the movie would rather just show Grant hallucinating a velociraptor that calls his name.

It had all the elements to be great. Producers brought back screenwriter David Koepp, who penned the first two movies, and they hired "Rogue One" director Gareth Edwards. But by the time the end credits roll on "Rebirth," you have the feeling of what could have been.

From the "Jaws"-like boat scenes to all the nostalgic hat tips to "Jurassic Park," the movie felt like it was following the usual blockbuster formula, though it gets points for at least telling a stand-alone movie.

You just have to think: If this movie had come out a decade from now instead of three years after "Dominion," would it have worked better?

The first "Jurassic" sequel, "The Lost World," gets a bump for once again being directed by Steven Spielberg — some critics even argue that while it's nowhere near as good as the first movie, it's actually better directed.

That direction keeps the tension mounting throughout the movie, until the infamous San Diego-set ending. Bringing back Jeff Goldblum and adding Julianne Moore to the mix helps things, as well, and by all accounts, this movie should have been a masterpiece. But a terrible script ensured our disappointment before the cameras even began to roll. 

The problem with the "Jurassic" sequels is that none of them can quite justify their existence. It's easy to regurgitate the same concept over and over again, but it's actually hard to make it worthwhile.

But "Fallen Kingdom" is the most self-aware of all of the "Jurassic" sequels: people are really dumb, we keep getting ourselves into the same situations, and that's the point. The movie brings that to its natural conclusion and is probably the only sequel that actually raises the stakes by the end of the movie.

That makes it not only better than its predecessor but the best sequel in the franchise (even if that's not saying much).

While the movie thinks it's way smarter than it actually is (dinosaurs are a metaphor for global warming and civil rights and other social issues!), it at least tries to tap into some of those ideas. The logical question arises from that: do these movies need to be that cognizant? But we'd rather they were somewhat mindful of the world they inhabit than mindless.

Do we even have to explain ourselves?

Spielberg's original film is classic blockbuster entertainment with the heart and smarts to match. 

The movie didn't just push the envelope in what was possible on the big screen but opened the door for how the blockbuster movie would be made for decades to come.

Travis Clark contributed to a previous version of this post.