
“It’s always an honor to get to witness anything or anyone transform into the Force,” young padawan Jecki Lon tells Osha in The Acolyte’s fourth episode, perhaps preparing us all for the carnage that was to come just a week later
“It’s always an honor to get to witness anything or anyone transform into the Force,” young padawan Jecki Lon tells Osha in The Acolyte’s fourth episode, perhaps preparing us all for the carnage that was to come just a week later
This week’s episode of The Acolyte makes for one of the most brutal half-hours of Star Wars action we’ve had in a while, as a group of Jedi come face to face
There’s a lot of violence in Star Wars.
In a new interview with Entertainment Weekly, showrunner Leslye Headland discussed her process conceiving this week’s shockingly viol
After last week’s episode of The Acolyte took us into the past for a fascinating story of the Force and perspective alike, things get back to the bigger mysterie
The creature work in Disney+ and Lucasfilm’s The Acolyte has expanded the Star Wars universe with new species and droids.
Star Wars has a particular type of music that runs throughout most of its media. Following on from John Williams, composers like Kevin Kiner, John Powell, and Michael Giacchinno have evoked the score of his films through the various spinoffs like Rogue One and Clone Wars.
Star Wars is filled with half-truths. Even as its fans crave the reliability of a rigorously defined canon, the saga has always played in the realm of mythologizing itself, and twisting what we’ve been told in new lights.