The concept of tolerance has weighed heavily upon Disney+ series X-Men ‘97.
The chronology of any comic book storyline or character—woven throughout decades of creative teams, retcons, and realignments to the narrative—is always a complicated affair.
Deadpool & Wolverine’s new trailer yesterday didn’t really give fresh details on what the film’s going to be about, beyond the vague threat of multiversal shenanigans and Wade and Logan’s team-up.
Few singular words in the long canon of the X-Men’s comic book history evoke the weight of mutantkind’s story of survival and extinction than “Genosha.” The island nation is a fundamental turning point in the comics’ long exploration of mutant statehood and
The story of Marvel’s mutantdom is one of evolution, and with it, cycles—the rise and fall that almost always guarantees that the tale of the X-Men is one of endless battle, for a world that hates and fears them.
When X-Men ‘97 hit Disney+ last week, enrapt viewers all shouted one thing—other than “To me, my X-men!”—as they saw Marvel’s mutants back in action: “Where has th
The X-Men never die. In the comics, that’s sometimes more literal than metaphorical, more meta text than actual text.