It’s been 20 years since director Robert Zemeckis unleashed a nightmarish CGI Tom Hanks on the world in The Polar Express. Now he’s back with a new cinematic abomination.
If Ed Brubaker is getting tired by now, he isn’t showing it. Twenty-three years after he first teamed up with artist Sean Phillips (on an out-of-continuity Batman noir story called Gotham Noir), the comic writer has been around the block more than few times.