Just a reminder: like Marvel’s various Netflix series combined to create a Defenders crossover series, its sister company Lucasfilm has similar plans for its sprawling Star Wars TV universe.
The Mandalorian is a show that rarely wants to sit in its worldbuilding. Things are said, they are present in the moment they need to be, and then it moves on to the next thing, like its wandering mercenary hero.
This week’s Mandalorian whisked us back to the ravaged homeworld of the once-warrior race, Mandalore, to further delve into the complicated history of its people and its warring cultures.
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Star Wars canon is fascinated with the homeworld of the Mandalorians—ever since The Clone Wars radically overhauled the status quo of its people, the planet has loomed large, casting a shadow of intrigue acro
To paraphrase Luke Skywalker, “If there’s a nice center to the universe, Mandalore is the planet it’s farthest from.” The home planet of Jango Fett, Bo-Katan Kryze, and Sabine Wren is a hellhole, and it has been throughout the entirety of