Star Wars

Since early 2020, many of Marvel’s primary Star Wars comics—the main Star Wars series, Darth Vader, and the already concluded Doctor Aphra and Bounty Hunters—shifted to a new period in the timeline of the original movies: the immediate days and weeks after the events of The Empire Strikes Back.

The creature work in Disney+ and Lucasfilm’s The Acolyte has expanded the Star Wars universe with new species and droids.

Last week, Josh Gad teased sci-fi fans with an excited but cryptic social media post referencing a script “based on characters created by Mel Brooks” that opens on a “star field.” Now,

Star Wars has a particular type of music that runs throughout most of its media. Following on from John Williams, composers like Kevin Kiner, John Powell, and Michael Giacchinno have evoked the score of his films through the various spinoffs like Rogue One and Clone Wars.

Rosario Dawson and Hayden Christensen met long before they crossed paths in Star Wars; though their careers have been mostly divergent (her breakout was 1995's

The third episode of The Acolyte is pretty incredible for a lot of reasons.

Remember when The Mandalorian maybe, probably, let Star Wars’ first F-bomb wriggle into its dialogue?

Any actor joining the Star Wars galaxy will tell you what they’re most looking forward to. It’s seeing their action figures for the first time.

The ability to freely walk around the Star Wars universe is closer than ever.

Massive Entertainment’s Star Wars Outlaws puts players in the boots of Kay Vess, a young crook trying to make a name for herself in the galaxy’s criminal underworld in the gap between Empire Strikes Back and Return of the Jedi.