Star Wars

Prequel movie Rogue One: A Star Wars Story is the reason we have

There’s a new swamp treat at Universal Studios Orlando’s newly opened Dreamworks Land and it pays homage to Shrek in the weirdest, most unhinged way.

Heritage Auctions—the same outfit that just sold an extremely rare “rocket-firing” Boba Fett toy for

Since early 2020, many of Marvel’s primary Star Wars comics—the main Star Wars series, Darth Vader, and the already concluded Doctor Aphra and Bounty Hunters—shifted to a new period in the timeline of the original movies: the immediate days and weeks after the events of The Empire Strikes Back.

The creature work in Disney+ and Lucasfilm’s The Acolyte has expanded the Star Wars universe with new species and droids.

Last week, Josh Gad teased sci-fi fans with an excited but cryptic social media post referencing a script “based on characters created by Mel Brooks” that opens on a “star field.” Now,

Star Wars has a particular type of music that runs throughout most of its media. Following on from John Williams, composers like Kevin Kiner, John Powell, and Michael Giacchinno have evoked the score of his films through the various spinoffs like Rogue One and Clone Wars.

Rosario Dawson and Hayden Christensen met long before they crossed paths in Star Wars; though their careers have been mostly divergent (her breakout was 1995's

The third episode of The Acolyte is pretty incredible for a lot of reasons.

Remember when The Mandalorian maybe, probably, let Star Wars’ first F-bomb wriggle into its dialogue?