Gizmodo

Deadpool proved once again that it is a franchise that loves to be in on the joke this week, with its own answer to the infamous Dune popcorn bucket that invites to cram that hand all the way down Hugh Jackman’s proverbial throat. And if that wasn’t enough for you to catch up on, we’ve got Lucasfilm taking a stand…

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Gizmodo

This week, pop culture had lots to get excited about: Steven Spielberg’s intriguing new sci-fi film; long-awaited horror comedy sequel Beetlejuice Beetlejuice; our first glimpse of the (new) star of The Witcher; more details about Australia’s mini-theme park celebrating all things Bluey, and beyond! - Cheryl Eddy

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Gizmodo

Welcome back to another week that was—from jumping in hot with Battlestar Galactica’s return to streaming, to our first look at our brand new Superman, and celebrating 25 years of Lego Star Wars, a lot’s been going on. And that’s before you get to the impending arrival of Furiosa, and... well, more Lego to drain our…

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Gizmodo

May the 4th be with you! But if you’d like to read some things that aren’t about Star Wars this Star Wars Day, our most-read stories of the week have you covered, from Captain America merchandise to critical reflections (and not quite so critical ones) behind the scenes of Marvel, our continued look back at the Planet…

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Gizmodo

Welcome back to the week that was in io9's coverage of the latest, and greatest, in pop culture news. It’s been a busy week, as the highly anticipated new trailer for Deadpool & Wolverine brought with it oodles of insight and analysis on its comic book connections—but that’s not all. Check out the other big stories we…

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Gizmodo

Dune: Part Two’s success can never escape the shadow of the wormussy. Yes, even as the smash hit movie heads home, we’re all still talking about that popcorn bucket, as much as AMC probably wishes at this point we’d rather not. But it’s not all sandworms in this weeks news—CinemaCon, Civil War, and even Jedi Shaggy…

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Gizmodo

If you’re a fan of indie horror, chances are you’re well familiar with the work of Larry Fessenden—both as a director (Habit, The Last Winter, Beneath) and an actor (