After Doctor Who’s triumphant return this past weekend in “The Star Beast,”
Human drama suffused with alien weirdness? A shotgun blast of emotional sincerity to sweep you away from barely coherent sci-fi technobabble? The power of love, specifically encapsulating queer love? David Tennant and Catherine Tate running around the place having the time of their lives? Do not adjust your clocks…
For a show that is about the capability to be everywhere and anywhere, any period in time, Doctor Who is a show that is arguably burdened with context. Now 60 years old today, the thought of navigating any of its stories without an awareness of its place in that history is almost unthinkable. But every once in a…
Doctor Who’s new 14th Doctor—with that old face—has already gone on his first adventures in the pages of the show’s official magazine.
Of all the moves made with Doctor Who in recent years, few proved as divisive as “The Timeless Children”—the season 12 finale that saw Jodie Whittaker’s 13t
David Tennant’s Doctor is very big on hands. Well, most biped humanoids, Time Lords included, are quite keen on having all their limbs.
“This song is ending,” the Tenth Doctor is told as he limps painfully back to the TARDIS to begin his regeneration in “The End of Time,” “but the story never ends.” It’s an incredibly Doctor Who thing that this poignancy is delivered by a
This week the Doctor Who universe is expanding with the official launch of what is now being dubbed “The Whoniverse”—a streaming home for over 800 episodes of Doctor Who