Star Trek has been an important fixture of sci-fi TV for decades, and alongside its continued existence, movies have helped further flesh out the characters.
A mission to land a private U.S. lander on the Moon, and the first U.S. lander since the Apollo era, looks to be ending before it even had a chance to get started.
An upcoming launch will usher in a new era of commercial payloads being dropped off to deep space destinations like the Moon. As we gain greater access to space, things are going to start getting weird.
Last week, Paramount debuted very Short Treks, a kooky new spin on the vibes of the original Star Trek: The Animated Series from Too Many
“Experimental” is a word that has defined much of Star Trek: Strange New Worlds’ second season.
Strange New Worlds’ musical episode dropped this week, giving us a wonderful, all-singing all-dancing hour of Star Trek.
“Will this work/Who can say?/We’re gonna sing it/anyway!” An interlude in the climactic song of Star Trek’s first ever musical episode—and an underlying thesis that guides it as it swings for one of the boldest ideas the franchise has ever tried... and by god, does it nail it.
Crossovers are hard. The balance of time, fandom-winking wishlists, and the need to have things still actually matter to your characters can make smashing together heroes from across a franchise a challenge—a challenge Star Trek hasn’t been afraid to rise up to in the past.
Star Trek: Strange New Worlds is far from a show with growing pains—as we’ve said many times already, its first season landed with a confidence of what it wanted to do in ways few Star Trek debuts ever have befor