A young female FBI agent with unusually fine-tuned intuition comes aboard an active serial-killer case her superiors have been unable to crack, and proves to be the missing piece that helps move the investigation forward.
Even before the Disney+ series released this past December, the Percy Jackson universe seemed primed to expand with movie trilogy for the Kane Chronicles books over at Netflix.
Paramount+’s Halo show has not yet covered the bulk of the Halo video games in its adaptive process—which means for Master Chief and his fellow Spartans, and the rest of humanity, things are going to get a lot, lot worse before they get better.
There are almost as many Marvel what ifs (not that one) as there are Marvel projects out there these days, but one of the most fascinating could’ve-beens is one of the MCU’s oldest: a planned TV show from
Meta’s flirtation with innovation has been, at best, poorly panning out and, at worst, delightfully creepy. The latter best describes the case of the tech company’s new foray into AI with machine-generated personas.
Last week, Meta introduced AI chatbots to its family of apps, including Instagram, Facebook Messenger, and WhatsApp.
You usually go to the Marvel Cinematic Universe for a lot of things, but memorable original music isn’t really one of them.
When Jon Strahd, the evil CEO of Ravenloft Studios, was defeated, the crowd at Universal Studios gave a huge roar.