Hollywood has been trying to adapt William Gibson’s groundbreaking 1984 cyberpunk novel
The “Doctor-lite” has become a common parlance in contemporary Doctor Who—an episode that, born out of scheduling or the general rigors of a season of television show where the lead actor is in
Doctor Who is a show about questions more than anything else—more than about time, than about space, than about monsters, than about running up and down corridors to and away from those monsters.
The latest season of Doctor Who is barreling toward its end, and barreling toward things is something the 15th Doctor and Ruby have been doing an awful lot of
Last year, one of the best aspects of celebrating Doctor Who’s 60th anniversary—aside from the pretty great specials themselves—was
The latest era of Doctor Who has been all over the place—from festive fantasy, to madcap sci-fi silliness, to
Doctor Who is one of the most malleable shows on Earth. Its heroes change every few years, its titular one literally transforms into someone new.
There are few more intimidating things in the world of Doctor Who than introducing something new.
When one Doctor biologically passes the torch to another, they do so in fire: a cascading, revitalizing burst of energy that blinds, dazzles, destroys, changes, and births in equal measure.
Ncuti Gatwa’s Doctor Who debut last year broke the mold for many reasons, but for one excellent one among many, it meant that for the first time ever fans got to b