Gizmodo

This week’s season finale of X-Men ‘97 brought an emotional, explosive climax to mutantkind’s battle against Bastion and the Prime Sentinels—and the X-Men love nothing more for their soap operatic drama than a big emotional twist while everything’s going bonkers. The finale delivered on that front...

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Like the original series, X-Men ‘97 has been adapting a variety of comic book storylines from the 90s.

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In all good X-Men stories, out of the fires of chaos something new and exciting is reborn in phoenix-flame.

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For almost as long as they have been in the comics, the X-Men and mutantkind at large have been stalked by a world that hates and fears them—a world that manifested that hate in the metallic, unflinching face of

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The chronology of any comic book storyline or character—woven throughout decades of creative teams, retcons, and realignments to the narrative—is always a complicated affair.

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Deadpool & Wolverine’s new trailer yesterday didn’t really give fresh details on what the film’s going to be about, beyond the vague threat of multiversal shenanigans and Wade and Logan’s team-up.

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The story of Marvel’s mutantdom is one of evolution, and with it, cycles—the rise and fall that almost always guarantees that the tale of the X-Men is one of endless battle, for a world that hates and fears them.

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For as vital and enduring a character across almost every iteration of the X-Men there’s been, there’s perhaps few mutants that are commonly misunderstood as Scott Summers,

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Adaptation is always a challenge—but it’s a particularly daunting one in the case of comic books, where a new medium has to reckon with translating sagas told across years of issues and continuity fluxes. For the most part, X-Men ‘97's latest episode navigates this task the best it can, but the sacrifices it makes…

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When X-Men ‘97 hit Disney+ last week, enrapt viewers all shouted one thing—other than “To me, my X-men!”—as they saw Marvel’s mutants back in action: “Where has th