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In all good X-Men stories, out of the fires of chaos something new and exciting is reborn in phoenix-flame.
In all good X-Men stories, out of the fires of chaos something new and exciting is reborn in phoenix-flame.
For almost as long as they have been in the comics, the X-Men and mutantkind at large have been stalked by a world that hates and fears them—a world that manifested that hate in the metallic, unflinching face of
The chronology of any comic book storyline or character—woven throughout decades of creative teams, retcons, and realignments to the narrative—is always a complicated affair.
Deadpool & Wolverine’s new trailer yesterday didn’t really give fresh details on what the film’s going to be about, beyond the vague threat of multiversal shenanigans and Wade and Logan’s team-up.
After last week’s episode—already a contender for one of 2024's best single episodes of TV—it would be tough for even a show as consistently strong as X-Men ‘97 t
The story of Marvel’s mutantdom is one of evolution, and with it, cycles—the rise and fall that almost always guarantees that the tale of the X-Men is one of endless battle, for a world that hates and fears them.
The X-Men are so back. They never really went away—they haven’t for generations at this point—but wow, has X-Men ‘97 got the world talking about mutants in a way they haven’t since... well, the ‘90s. But enough X-talk! This week we looked at 3 Body Problem’s problems with more than three bodies, asshole billionaire…